陶溪川·景德镇国际工作室线上讲座
Taoxichuan Online Master LectureZhang Lingyun: The Season's Tale -- Artist in residence at The Shigaraki Ceramic Cultural Park2021年4月21日（星期三），北京时间 20:00Wed, 20:00 (BST), Apr.21, 2021English, Chinese (Consecutive Interpretation)
讲座将面向大众免费开放，请长按二维码关注线上平台。The lecture is free and open to public. Please long press the QR code, to follow the platform.艺术家驻留（Artist in Residence） 是指艺术机构邀请艺术家，在一定时间内在新环境进行思考、研究和创作。泛指艺术家的驻留型创作活动。艺术家在驻留项目中，跨越国境或文化的差异，置身于非日常空间，在不同的文化历史背景下生活，与当地人进行交流，从而得到新的刺激、想法、灵感，为创作提供养分。驻留地是艺术生产力的培育室，也是筹资、建立联系、以及收集灵感的创作灵感的机会。
Artist in Residence refers to the program on which artists are invited by art institutions to think, research and create in a new environment within a certain period of time. It can be referred to the artist's residency creative activities. In the residency project, artists are able to transcend national or cultural differences, can be placed in a non-daily space and live in different cultural and historical backgrounds. The communications with local people helps to obtain new stimulation, ideas, and inspirations, and provide nourishment for creation. The residency is a cultivation space for artistic productivity, and it also offers an opportunity to raise funds, establish contacts, and gather inspiration for creating arts.
陶溪川·景德镇国际工作室线上讲座本期邀请到景德镇陶瓷大学副教授，硕士生导师，张凌云。于2021年4月21日晚上8点，在陶溪川国际教育—国际云讲座平台带来主题为《夏有繁星冬有月－驻场在日本陶艺之森》的讲座。
Taoxichuan · Jingdezhen International Studio is pleased to invite the associate professor and master tutor of Jingdezhen Ceramic Institute, Lingyun Zhang. The title of this week’s lecture is "The Season’s Tale". The lecture will be held on Wednesday, April 21 at 8 pm on Taoxichuan International Education Program—Master Online Lecture.
讲座中，张凌云将分享她对于泥性的探索，并分享在日本著名艺术中心“信乐陶艺之森”的驻留创作经验，以及这个集全世界优秀艺术家的艺术创作空间对于她的改变。
During the lecture, Lingyun will share her exploration of clay’s characters, and her residency creation experience at the famous Japanese art center "The Shigaraki Ceramic Cultural Park", as well as the changes made to her by this artistic creation space that gathers outstanding artists from all over the world.
张凌云
Zhang Lingyun
景德镇陶瓷大学副教授，硕士生导师
日本陶艺之森特邀艺术家；
荷兰皇家DELFT特邀艺术家
The core of Zhang Lingyun's clay expression is creatures born from nature.就如天空中的浮云，树林边的小鸟等自然意象，这些都是张凌云常用的元素。学生时代，她就开始展露于陶艺界。诗意的造型，灵动的线条，这些都逐渐成为她的标志性符号。The natural image is the common element in Lingyun's creation, such as cloud, bird, etc. Lingyun becomes outstanding in ceramics since her school days. Idyllic form and flexible line are highlights of her work.迄今为止，张凌云的作品已入选于众多国际知名展览中，包括全国美展、韩国京畿道世界陶瓷双年展等，其间获得法蓝瓷大赛的金奖。这位经历丰富，远赴多个国家创作、讲学的艺术家，在美国、韩国、荷兰、北京做过四次个展。在美国、日本、德国、荷兰、韩国、捷克、法国、澳大利亚、台湾等国家和地区做工作营和讲座。Until now, Zhang Lingyun's creative work selected by dozens of famous international exhibitions, including the National Art Exhibition, the World Ceramic Biennale in Gyeonggi, South Korea, and won the gold medal in the FRANZ Award. Lingyun is an experienced artist and has been creating and teaching in many countries. She has done four solo exhibitions in the United States, South Korea, the Netherlands, and Beijing. Besides, she gives workshops and lectures in the United States, Japan, Germany, the Netherlands, South Korea, the Czech Republic, France, Australia, Taiwan, and other countries and regions.她的作品先后收藏于英国 White chapel Gallery, 荷兰Museum Prinsenhof Delft, 中国陶瓷博物馆，河南省博物馆。Zhang Lingyun’s works have been collected in the Whitechapel Gallery in the UK, Museum Prinsenhof Delft in the Netherlands, the Chinese Ceramic Museum, and the Henan Provincial Museum.
诚然，创作中无法躲避的瓶颈和自我怀疑也时常出现，但在张凌云眼中这也是件值得挑战的事。天生的好奇心与丰富的想象力，促使她一直尝试更多的可能，工作室里摆满了实验阶段的小稿和样品。Honestly, difficulties and self-doubt are unavoidable in creating. However, Lingyun sees that as challenges and thinks these are worthy. Curiosity and rich imagination push her to keep going. So that, mock-ups and iterations lying all around her studio.有一年冬季，张凌云来到了日本信乐陶艺之森参与驻留项目。无意间在陶艺之森的图书馆中看到八木一夫的作品图册，震惊他对万物感知的敏锐和创作中无人能及的宽广操控力。张凌云开始花大量的时间浏览巨匠先辈们的痕迹，试图在创作中像他们一般稳步前进。A winter, Lingyun took part in the SCCP’s residency program. Coincidentally, she saw a portfolio of Kazuo Yagi’s works in the SCCP Library. She was shocked by his sharpness towards substance, and his broadness on creating art that no one could compare with. Lingyun starts to spend tons of time digging into traces of seniors, and try to take a step up.
对于这一点她做到了身体力行，步步清晰可循。开始用自由的手法体现泥土最本质的特征：可塑性、粘附性、柔韧性甚至包括易开裂的特征。And, she did it, step by step. Through free approaches and techniques, she presented the vital characters of clay——plasticity, adhesion, flexibility, and even those little cracks.
回到景德镇，张凌云发现，这座千年瓷都无论是辉煌的历史还是传统的工艺，都束缚着陶瓷艺术的发展。她选择去打破这些条条框框工艺规范的限制，选择更自由的方式进行创作。随性的大笔触，抽象的图案纹样，有时是一层层山峦；亦似一片泥沼；又似一团混沌的云朵。她将解释的权利交给了观者自己，希望他们根据自己当时的情绪和心境进行判断。
After back to Jingdezhen, Lingyun found that either the splendid history or traditional techniques, limit the development of ceramics art in this city. She chose to break the border caused by "standards", to apply free approaches to creating. Random large brushstrokes, abstract patterns, sometimes like layers of mountains; also like a swamp; and like a cloud of chaos. She gave the right of interpretation to the viewers, hoping that they would enjoy based on their emotions and mood at the time.
无尽的思绪，160x96x6cm,，2012年
"Clay is everything." 张凌云说到，这是她在2006年在美国旅居时看到的一句话。泥土是一切，这种纵身一跃的创作态度给了她很大的触动。万物皆从泥土中出发，最终又都回到了泥土。这种生长回溯的过程，顺应着生命轮回的规律。
"Clay is everything." Zhang Lingyun said, this is a sentence she read when she lived in the United States in 2006. Clay is everything, this kind of creative attitude of diving into one gave her a lot of touch. Everything starts from the earth, and eventually returns to it. This process of growth backtracking complies with the law of life cycle.
冬的旷野，35cmx18cmx41cm,陶，2016 年
信乐烧工艺重地、著名的国际陶艺家驻留中心——陶艺之森（The Shigaraki Ceramic Cultural Park，简称SCCP）位于距离京都一小时车程的日本六大古窑之一信乐町，坐落在群山环抱中的一块平坦的高地上，是集研究、驻留创作、作品展览为一体的艺术中心。
SCCP, Shigaraki Ceramic Cultural Park, located in one of the six Japanese ancient kilns——Shirakucho, which is one hour drive to Kyoto. SCCP is an art center, can be found at a flat plateau surrounded by mountains, functioning as a learning, creating, and exhibiting institute.
日本陶艺之森路口
陶艺之森工作室
迄今为止，已有48个国家的近千名优秀艺术家先后进行驻留创作。除了国际驻地工作室，还有展览中心和博物馆空间。陶艺之森附近的山顶上是著名的太阳广场，陈列着大约二百多件国际上著名陶艺家的大型陶艺装置作品。
About a thousand artists coming from 48 countries have gathered here to create art so far. Except for the international resident studio, there is a product exhibition center and museum. At the mountain top located the famous Sun Square, which has about 200 large-scale ceramic installations made by brilliant artists around the globe.
太阳广场——大型装置陶艺（其一）
陶艺之森庭院
奈良美智在陶艺之森的创作
值得一提的是1993年著名当代艺术家蔡国强曾来过这里驻场，奈良美智大部分的陶艺作品是在陶艺之森完成的。
Especially, Cai Guoqiang came here in 1993, meanwhile, most of Yoshitomo Nara’sceramics were completed at SCCP.
从2011年开始，张凌云已经陆续在陶艺之森参与了7次驻留创作。“很幸运遇到世界各国最优秀的艺术家，改变我墨守成规的脚步，打开我看待泥土的眼睛，是我生命中最丰盛的经历。因此我乐意让更多人知道作为一个陶艺创作者在陶艺之森的所看所想。”张凌云如是说道。
From 2011 to now, Zhang Lingyun has been in SCCP’s residency program for 7 times, two months each time. "Luckily, I’ve met the best artists around the world, which breaks my stereotype, broadens my thinking towards clay. That is the richest experience in my life. Therefore, it is my pleasure to share the sight and thought when I stayed at the SCCP as a ceramic artist. ", she said.
太阳广场——大型装置陶艺（其一）
"View the cherry blossoms at night in spring, the stars in summer, the full moon in autumn, and the first snow in the winter."关于四季，周而复始，从未停歇，而张凌云与“泥土”相伴的陶艺人生也亦如此。Regarding the four seasons, the cycle repeats without stopping, and so does Zhang Lingyun's ceramic life accompanied by “clay".陶艺之森图书馆
陶溪川·景德镇国际工作室线上讲座
Taoxichuan Online Master LectureZhang Lingyun: The Season's Tale -- Artist in residence at The Shigaraki Ceramic Cultural Park2021年4月21日（星期三），北京时间 20:00Wed, 20:00 (BST), Apr.21, 2021English, Chinese (Consecutive Interpretation)
讲座将面向大众免费开放，请长按二维码关注线上平台。The lecture is free and open to public. Please long press the QR code, to follow the platform.
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