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有底的容器可用作储存物质，而两头中空的管道则可用作传输物质。流动的能量由一点链接到另一点，由微观的人体血管，到宏观的城市马路，再到把我们连接在一起的海底光纤，都是如此。

A vessel with a bottom serves as a store of matter, while a tube hollow at both ends serves as a transport of matter.  The flow of energy is connected from one point to another, from microscopic human blood vessels to macroscopic city roads, and all the way to submarine cable that connect us together.

本期陶溪川艺术中心讲座很荣幸地邀请了挪威艺术家托比恩·卡瓦斯博（Torbjørn Kvasbø），于2023年4月12日，周三晚上七时在陶溪川旗舰店报告厅，带来主题为《在可能和不可能之间》的讲座，并于陶溪川艺术中心-教育”平台同步线上直播。同时，《附体——托比恩·卡瓦斯博作品展》于4月23日将在陶溪川美术馆开幕。

Taoxichuan Art Centre is pleased to welcome Norwegian artist Torbjørn Kvasbø to give a lecture entitled "Between the Possible and the Impossible" on Wednesday 12 April 2023 at 7pm in the lecture hall of the Taoxichuan flagship store and will be broadcast live on the Taoxichuan Art Center Education platform. At the same time, the exhibition "Incarnate - A Solo Exhibition of Torbjørn Kvasbø" will be opened on 23 April at the Ceramic Art Aveune Art Gallery.

托比恩·卡瓦斯博在本次讲座中将分享他过去几年中对各种泥土和材料，以及陶瓷工艺的创作实验。这次选择在陶溪川艺术中心进行的候鸟驻地计划，正是因为被景德镇丰富的陶瓷资源和创作环境吸引。在为期两个月的驻场中，他挑选了高白泥进行实验，并在该瓷土上测试影青釉和郎红釉，并预期完成多达十几件的作品。

本次讲座将会是一个自由交流的分享会，欢迎听众的你们随时提问！

During this lecture, Torbjørn Kvasbø will be sharing his creative experiments with different clays, materials and ceramic processes that he has been working on over the past few years. He chose the Migratory Bird Residency Project at the Taoxichuan Art Center because of the abundance of ceramic resources and the inspiring creative atmosphere in Jingdezhen. Throughout the two-month residency, he has been experimenting with high white porcelain clay and testing Celadon glaze and Copper red glazes, with the goal of completing up to twelve pieces.

This lecture is intended to be an open and interactive sharing session, where audience are encouraged to ask questions and engage at any point.

托比恩·卡瓦斯博住在一个非常古老的挪威乡村，传统的木栅栏，干草堆等，都成为他灵感的来源。他相信陶土的语言可以提供无限的机遇，于是经常想找出材料、技术和形状之间强有力的结合点，并且由此制造出自己理解的意义。

Torbjørn Kvasbø resides in an ancient Norwegian village, where traditional features like wooden fences and hay stacks serve as sources of inspiration for him. He has a firm belief in the limitless opportunities provided by the language of clay and often strives to establish strong connections between materials, techniques, and shapes to create his own understanding of meaning.

托比恩的管道系列作品的灵感是基于血管的原型，以及其在历史上蕴含的意义。他认为体液代表着生命，同时也代表着一种非永久性。经典的血管造型由圆柱体构造出的螺旋式形态，它也是一具身体，一具有着人的姿态和思想状态的三维身躯。同时，陶土作为其主要材料，实验与制作时连绵不断的阻力就像是人类体系遇到的困难，作品也成为了他尝试讲述关于其在村庄生活故事的宣泄口。

Torbjørn's Tube sculpture draws inspiration from the prototype of blood vessels and its historical significance. He views bodily fluids as representative of both life and impermanence. The classic cylindrical spiral shape of vessels is evocative of a human body, a three-dimensional form that embodies human posture and mental states. As clay is his primary material, the resistance he encounters during experimentation and production is akin to the difficulties encountered by the human system. His works provide an outlet for him to narrate stories about his life in the village.