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陶溪川·景德镇国际工作室线上讲座｜泽赫拉·奥班利：泥浆表面装饰技法

陶溪川·景德镇国际工作室线上讲座

Taoxichuan Online Master Lecture

泽赫拉·奥班利：泥浆表面装饰技法

Zehra Çobanli : Surface Decoration with Ceramic Slips

讲座时间

Lecture date

2021年3月31日（星期三），北京时间 20:00

Wed, 20:00 (BST), Mar 31, 2021

讲座语言

Language

英语，中文翻译（交传）

English, Chinese (Consecutive Interpretation)

参与方式

Participation

讲座将面向大众免费开放，请长按二维码关注线上平台。

The lecture is free and open to public. Please long press the QR code, to follow the platform.

陶溪川·景德镇国际工作室线上讲座本期邀请到土耳其艺术教育交流协会创始人，泽赫拉·奥班利(Zehra Çobanli)。于2021年3月31日晚上8点，在陶溪川国际教育—国际云讲座平台带来主题为《泥浆表面装饰技法》（Surface Decoration with Ceramic Slips）的讲座。

Taoxichuan·Jingdezhen International Studio is very pleased to invite the Head of the Turkish Ceramic Art Education and Exchange Scoiety, ceramic art professor, Zehra Çobanli. The titled of this week's lecture is " Surface Decoration with Ceramic Slips ". The lecture will be held on Wednesday, March 31, at Taoxichuan International Education Program -- Master Online Lecture.

讲座过程中，泽赫拉还将介绍她为陶溪川线上平台制作的线上课程，“泥浆的色彩陶瓷表面装饰技法”，课程中她将带领学生体验彩色泥浆和其他表面装饰的同时，探索装饰技巧及其更深层次的审美观念。

During the lecture, Zehra will introduce the online lessons that she filmed for Taoxichuan online platform, "Surface Decoration With Ceramic Slips", during the lessons Zehra allows students to experiment with colored slips and other finishes, while also exploring finishing techniques and aesthetics in more depth.

关于嘉宾

泽赫拉·奥班利

Zehra Çobanli

土耳其艺术教育交流协会创始人

陶艺教授

泽赫拉·奥班利，土耳其陶艺界的奠基者，对土耳其的陶艺文化推广有着巨大的贡献。在1986年获得马尔马拉大学艺术专业博士学位后，她加入阿纳多卢大学，作为全职教授开始任教生涯。泽赫拉的作品已在上百个国家地区和国际组织参展，包括在土耳其国内举办的30场个人展。此外，她已在国家级陶瓷竞赛中获得10个奖项，包括在日本和韩国分别获得荣誉奖项。

Zehra Çobanli, the professional ceramicst, she made a great contribution to promote the ceramic culture in Turkey. Zehra has received proficiency in Art Degree (PhD) from Marmara University in 1986 and full professor position in 1996 at the Anadolu University. She presented her work more than 100 national and International group, 30 personal exhibitions in Turkey and abroad. Among the 10 awards won by the artist from State Ceramics Competitions, Award of Honor in Japan and in Korea.

Tea box,blue clay, black glaze, blue slip, silver handle, 17cm X 8,5 cm, 2003

泽赫拉的教育经验丰厚，她曾在各个国家教授过陶艺工作营，参加过研讨会以及艺术驻留项目。她的部分作品成为美术馆和私人画廊的永久收藏。其中的壁面作品也被很多公共空间保留展示。

She participated many ceramic workshops, symposiums and Art residency program in different countries. Çobanli has several works in permanent museum collections and private collections. Various public buildings contain her wall panels.

Blue Kibele, blue clay, black glaze, stoneware, 25,5 x13 x9,5cm, 2012

Blue Kibele, 25,5x13x9.5 cm, 2018

在1998-2005年间，泽赫拉任职于阿纳多卢大学的陶艺专业主任，并在2007-2013年间当选为学院院长。同时，她是联合国教科文组织国际陶艺学会(IAC)、国际陶瓷艺术教育交流协会(ISCAEE)的成员之一，并且还是土耳其陶艺教育交流协会的创始人。

She worked as a Head of ceramic Dept. between 1998-2005, Dean of Faculty of Fine Arts between 2007-2013. She is member of International Ceramic Academy (IAC) , International Ceramic Art, Education and Exchange Association (ISCAEE), and she is founder of Turkish Ceramic Art Education and Exchange Society in Turkey.

Turkish delight box, blue clay, black glaze, siver handle, 8,5 X 14cm, 2002

尼采曾经说过，“蛇不蜕皮则亡矣”

Nietzsche, in one of his short notes left behind, says that the snake not shedding its skin dies

Secret Foot, Stoneware, Blue clay, black glaze, 26x22 cm, 2004

同样的道理，智者停止思考，亦不复为智者。为了适应生命的连续性，生物必须蜕去它的死皮。这足以说明，皮肤是生命体生死攸关的部分。赋予皮肤如此特殊意义的是它的可变性。

In the same way, spirits preventing to change their opinion also die, so he says “they are not spirits anymore ”. According to fitting the continuity condition of life obligates shedding its skin, here it means, the skin gets vital life. What helps it to get this special feature is the situation to be changeable.

Diet at the nature, stonewarer, 350 cm, 2014.

然而生命体中每个部分，都按照从过去以来既定的结构，居于它应有的位置。它们又循着与过去相同的轨迹，各司其职，使生命体在当下得以存活。这可以称作是生命的艺术。但作为艺术家创作的产物，则可以在生命体漫漫演化之路上把它保存下来。

While each object in life takes a place in the frame of a formation given a shape from past to future, to the function which helps living creatures to fit the situation they are in has been following a parallel way for this formation sense. It can be said that the object of art, as a product of an artist’s activity that forms it, can save its presence by changing on the context of development.

Tulip time,300 cm.stoneware,2012.

泽赫拉的创作理念伴随着变化与发展的关键词。她对社会问题，例如移民，女权及环境问题等保持着紧密的关注，并在创作中融入这些议题。她的每一件作品都有着强烈的观点性与态度。

Above expression summarizes Zehra's opinions related to the changes and developments in art. Also she have add that she is very interested about social problems such as migrations, women problems and environment problems. All Zehra's art works has a topic.