Time: May 20, 2016

Venue: Beijing Guozhong Ceramic Art Museum, No.1, Dongcheng District, Dongcheng District, Beijing

Theme: Wang Longfu family ceramic art work exhibition

The content is as follows:

Hou Wenquan: Dear Yang President, leaders, guests, and news media reporters, everyone!

Today we held the "Wang Longfu family ceramic art work exhibition in the Beijing China Ceramic Art Museum". I am very happy to host this exhibition activity.

Wang Longfu Ceramic Art Works Exhibition is jointly hosted by the China Ceramic Industry Association and Jingde Town College. The National Ceramics Art Museum hosts high-level high-level commemoration, propaganda, showcase activities, and this event has also received the Ceramics Commission of China Collectors Association, Jingdezhen City The strong support of the ceramic research institute, indicating the thank you for the above unit. This event also received extensive attention from all walks of life, especially the industry leaders, experts, professors, and support for collectors.

Leaders and guests attending today's opening ceremony:

(Introduction to attend guests)

There are also guests who come to participate in this event, and the news media reporters and friends will express their warm welcome and sincere gratitude.

Finally, I will later introduce this "Wang Longfu Family Ceramic Art Work Exhibition" to participate in the artist.

(Introduction Artist)

Here are the long statement of the long statement of Changzhong Ceramic Art Museum Hall. Applause welcomes!

Zhang Shouzhi: Dear leaders, guests, ladies, gentlemen everyone!

Today we gathered in the Capital Center of the Republic, held the "Wang Longfu family ceramic art works", which was held in the country, grand opening, here I would like to express the smooth congratulations of this event on behalf of the national middle school hall. The guests are enthusiastic to welcome and sincere.

Today, everyone is very worthy of visiting the famous ceramic art family of famous ceramic art families today. It is also very difficult to have a valuable event. In addition to art exchanges, this exhibition is to review his art life through his art life through Wang Longfu's work. I hope that this exhibition makes the ceramic enthusiasts understand Wang Longfu art achievements and their family members to explore ceramic arts and unique aesthetics, and presented a ceramic family unique ceramics process to everyone.

As the contractor, our national art museum contributes to the promotion of ceramic art. Thanks to the exhibition hosted by the China Ceramic Industry Association and Jingdezhen College, thank you for your hard work. At the same time, I would like to express my sincere gratitude to the family members of the exhibits Wang Longfu.

Finally, I wish this exhibition a complete success, thank you!

Hou Wenquan: Thanks to Mr. Zhang's speech.

Here are the princes of the Wang Longfu family to represent the professor of Jingdezhen College, Mr. Wang Awei, the library.

Wang Anwei: Dear teachers, all the masters have a good morning!

Today, I will hold my father's abroad. As my family, my father took 30 pieces, I 10, my sister 10 pieces, 10 pieces of my sister, a total of 60 pieces of work, sincerely thank the National Earth Art Museum, ceramic art Society and our hospital (Jingde Town Ceramics College) leaders strongly support. Welcome everyone to make valuable comments on our work, thank you again.

Hou Wenquan: Thank you, Professor Wang.

Here are the invisitors to represent Mr. Jiang Zizhen, Dean of the Pakistine Research Institute of Jingdezhen City.

Jiang Zhen Sheng: Dear teachers, leaders in the morning!

Mr. Wang Longf is my teacher. He is also the old manager of Jingdezhen Art, is the honorary dean of Jingdezhen College. He is the iconic figure of our hospital and is also proud of Jingdezhen people. My teacher left us for eight months and ten days. I can be under the Huangcheng root today, I can share my teacher's work with you in the National Art Museum is our honor, thank you!

It is said that the teacher has some excitement, I think the teacher's body is far away, but his artistic spirit, his art work is always in our hearts. As a student, as a co-organizer, Jingdezhen Ceramics Academy thank you a guest. Thank you!

Hou Wenquan: Thanks to the director of the rivers.

Here are the governor of Qin Xilin, the ceramic industry, high-spirited.

Qin Xilin: Dear Yang President, all friends, ladies, gentlemen good morning!

I am very happy to participate in Wang Longfu's exhibition with his family.

Everyone knows that Wang Teacher is recognized by the Chinese arts and craftsmanship, and has made outstanding contributions in the art of pastea, contributing to China's ceramic art.

Here, I would like to thank the National Museum of Art, which allows Wang Longfu's work in Beijing. I believe that this exhibition is a deeper study on Wang Longfu teacher and his family's research on ceramic art. Learn, I also wish this exhibition a complete success!

thank you all!

Hou Wenquan: Thanks to Qin Dean to speelce.

Here are the deputy dean of Zheng Fu, Vice President Jingdezhen College.

Zheng Fusheng: Everyone is good!

At this time, Wang Longfu family ceramic art works show and Wang Longfu Art Comfort Collection, I represent our college, express congratulations.

Wang Longfu family is a famous ceramic family, operating ceramic painting, and Mr. Wang Longfu, China Arts and Craft Master, is a high-rise predecessor in the ceramic art field, and there is a monument in the industry.

In order to commemorate the high-looking ceramic artists, in all walks of life, this art exhibition is ambassador, and his family ceramic art works, and its family ceramic art is designed to review Wang Lao's ceramic art achievements and immortal personality. Mr. Wang Lao shows the collection of artistic achievements. Mr. Wang, the future, Wang Shi family's pen style, inheriting family ceramic art style colleagues boldly innovation, emerge in the field of ceramic art, becoming a new generation of representative people. Mr. Wang, Wang Anwei is a second-level professor of Jingdezhen College, the National May 1st Labor Medal, the State Council special allowance expert, and more. They come to commemorate Cifen in the way of art, expressing the nostalgia of the father, touching the deep.

Finally, I wish this event a complete success, thank you!

Hou Wenquan: Thank you for your speech.

Below there is to give a speech by Ms. Fu Weijie, executive chairman of the China Ceramic Industry Association.

    傅维杰：杨会长好，大家下午好！

    今天我们协会能够主办王隆夫大师的展览非常荣幸。说起来我也非常惭愧，王隆夫大师我到现在我没有见到他，我不认识他，很遗憾。因为当时我们协会2002年评第一届陶瓷艺术大师我们是把老一代工艺美术大师都收为中国陶瓷艺术大师了，但是好像只有王隆夫大师当时征求意见的没有同意，我们编这本书的时候好像也没有给他收录进来，因为他们没有同意进入中国陶瓷艺术大师队伍，我分管陶瓷20多年，也没有幸认识这位大师。

    刚才听了几位的发言，特别是郑院长详细介绍了王隆夫本人以及他几位子女的风格和为人的人格魅力，我很受教育。他们陶瓷世家到国中办展览也是给咱们国中艺术馆填色。今天一进这个馆我觉得眼前一亮，确实是水平不一般，高于国中艺术馆任何一次展览，非常感谢国中艺术馆能够对王隆夫家族举办的这次展览，同时也感谢王隆夫大师几位子女选择国中艺术展做展览，邀请我们协会做协办单位，非常感谢。

    刚才郑院长讲了王隆夫大师的艺术风格，我不在这儿再重复了。我觉得他有一点，我记得我看哪说过，他说过一句话：师古人不如师造化。我理解这句话：你模仿古人的作品不如向大自然学习。所以王隆夫作品都是源于历史古迹、神话传说以及从大自然中吸收来的营养，所以使他的作品生动。

    我这次看了他的这个展览，我看到他们家的子女特别是王淑凝的作品也一样继承了她父亲的遗风，春天能背着瓷板到景山公园临摹牡丹，在现场用陶瓷颜料往瓷板上画，这是我第一次听说，确实她继承了她父亲的精神和她父亲在陶瓷艺术上的贡献和遗愿，这一点为我们当今中国年轻一代陶瓷艺术家树立非常好的榜样，今天的陶瓷家应该向老一代老师们学习，不能鞠躬尽力，要让自己的作品能够对得起我们这些老一代的陶瓷艺术家，对得起历史，同事也能对得起人民大众。

    今天这个展览虽然规模不大，但是我感觉层次还是挺高的，特别是杨部长的出席和秦锡麟院长、张守智老师，这都是在行业里一辈子的人，能够出席说明大家对王隆夫老先生的认可和尊重。

    杜会长我们昨天在顺义培训两天，今天他没能来，我在这里代表杜会长向这个展览表示祝贺，预祝这个展览能够举办成功，同时也希望在座的每一位身体健康、心情愉快，谢谢大家！

    侯文全：感谢傅理事长对这个陶瓷行业充满感情的致辞。

    下面宣布本次展览会开幕。

    （展览会开幕）

    下面举行第二个环节。第二个环节是王隆夫老先生艺术全集的首发式。下面有请王隆夫老先生的传人王安维

Professor introduced the "Complete Works of Wang Longfu" publishing process. welcome!

Wang Anwei: Good you!

"The Complete Works of Wang Longfu" collected some of my father's work, turned to Beijing, Shanghai, Guangzhou, and Anhui Fangshan, and we took a nearly one year. In fact, it can be traced back to ten years ago, and I was very opposed to my father. The first one of the opposition, he felt that a complete set was praised by the individual, he had no end, he thought he was still not mature, painting to old learning. Article 2 The complete collection of this time would be several hundred thousand. My father is very frugal. He also took the bus to and from the studio and home in the first two months. He felt a very frugal. This book is too expensive. After he died, we communicated all his works through the Internet with all the collectors. This book is supported by the Jiangxi Provincial Press and Publication Bureau and Jiangxi Provincial Art Publishing House, as a collection of national key publications in Jiangxi Province. We are printing in Shenzhen. Two books at two this morning will arrive in Beijing, and the first batch of frames is only 50, and there is a lot of printed. So I would like to see that this book makes valuable comments on us.

thank you all!

Hou Wenquan: The first unveiling ceremony of "Wang Longfu Art Complete Works" is held.

("Wang Longfu Art Complete Works" started unveiling ceremony)

Wang Longfu family ceramics art work exhibition and "Wang Longfu Art Complete Works" starting to this success, thank you for your visit!

Here are you, please go to the door, please take a photo.

(Photo)

--seminar--

Zhang Shouzhi: Today, all the guests have peers, our experts, friends, friends, and colleges and universities, and Jingdezhen, there are also many other peers in Hebei, everyone participates in today Wang Longfu Teacher Family Under the seminar, such a seminar is a special seminar.

I have just talked very well. Teacher Wang, Director Wang, Director of the New China Art Ceramics Research Office, in fact, the Xinhua's Yuya Factory is Jingdezhen, a few thousand art porcelain factories, Guo Moruo comrade inscription, nominated Royal Kiln Factory. Today commemorate the family exhibition of Wang Longfu teacher, I think Wang Longfu's family, China's Royal kiln is still the third generation of Wang Longfu, the third generation of Wang Longfu. Including the Cultural Revolution, the Town Traditional Art Ceramics, including the Jingde Town College cultivated a large number of ceramic artists, the size of the ceramic art of the Ceramics, the contemporary generation of Jingdezhen, now undertakes the big task of China's ceramics, restoration of Chinese contemporary ceramics revitalization ceramics Go to our generation.

I am two years old than Wang Longfu, I am 84 this year, he is the same as my brother. Today's comrades are familiar with Wang Longfu, so I want to stay more time to listen to everyone's speech and introduction.

Today, our symposium will end at 12:30, now 10:30, so I hope everyone will hurry to take the time.

First, Mr. Liu Peijin will make a statement.

Liu Peijin: Shou Zhi brother told me first, told me to represent him, macro I can represent him, but artistic accomplishment, especially artistic, representative, Zhang Shouzhi is Guobao, China's best "Panda".

Today, I am very happy, especially the four words "窑 风", it can also be said that Wang Longfu, including his four children, more intensive, more integrity, and more promoted, Therefore, their families contribute greatly in the sublimation and development of China's ceramic art, Jingdezhen ceramics. Shou Zhi brother told me to speak, I didn't say it in two words, why was I accept, because I am very grateful to Wang Longfu very much.

Wang Longfu is four years old. He is November 1931 I am in November 1935. He is very impressed with me. In 1993, China's 3rd Art Master of Arts, this year, I am group The length of the long and judges ceramic group. The review is very strict, and the hardware must be a work of more than a few years, and the software must confirm that this person is high. At that time, 30 judges, ceramic groups were 9 judges, first watching his materials, and complied with his works, the consistency was eliminated. The good thing is not good, things are not good, and it is strict. Wang Longfu is an unanimous agreement with nine judges. The judges passed on the spot. After passing, I applauded, and I didn't say two words on the spot. Therefore, Wang Longfu is really truly, solid, Chinese arts art master.

This time I saw the Wang family inherited Wang Longfu art creation spirit and skills, skills, his first two generations I unclear. I tied Wang Longfu in the early 1970s. How did he create it? I went to visit him, not when he came to see me, I immediately stopped it. I said, "Welcome". He first took the air in the same way and stood up and greeted me. I have to sit there again. Give me the biggest inspiration or education, artistic creation is a kind of heart-flat and temperament, so I have received a lot of inspiration here, so that I am acting in the ceramics for decades to judge the fundamental elements of a person, seeing a person. See him first. Some people talk to us to chat with us, I said this is not an artist. The real artist is concentrated to make art, not payable, not for money. Therefore, Wang Longfu's morality is worth learning, and it is worth learning from contemporary artists.

I am very familiar with Wang Shu, I think she is very good, and later I saw her work, I also felt cordial, and the gene of the family's legacy. Once I went to her, I saw a large porcelain board painting, I said that this gimmick improved. She said that Beijing has learned, studying back, this is a big leap, the Wang family has succeeded, the talent is very good. This time I saw the work of these people is particularly happy, but there is a gap. Especially Anwei, you don't be proud, your work is very large with your father's gap. Why is the gap is quite big, I see your father's work, your gap is not very large.

The Wang family is the royal kiln in the country. Creative sincerity, treating art is not a golden art, is a typical artistic family. They created this space of the art, grabbing time, contributing to art in the world, contributing to the country, making good results. I have summarized three according to the current situation. A great contribution to ceramic art inheritance, a great contribution to expanded export collection, and make great contributions to the construction of China's Ceramic Art Museum, this is a new word, which should be the largest washing in the ceramic world. The country has identified the establishment of a Chinese ceramic hall.

Therefore, the King's family not only contributes to ceramic art but also a considerable impact on the future. If it is truly art, it is not true that it doesn't matter to him, he will not accept it.

This time, Wang Longfu family exhibition is very conforming to the requirements of the situation, and is also very in line with the needs of the situation. I hope that if you really want to become an artist, I learned to our chairman today. She is very tight with the past, she presents "Creating the people, do not make money". So who really wants to be an artist, I suggest that you learn to learn Xi Jin Ping at this speech at the philosophy and social science symposium, you have to study this, this is also very meaningful for philosophy, but also the creation of craft art. significance. After this article I got out, I saw a lot, and three of whom should be disclosed. The characteristic style of philosophy and social science is the product developed to a certain stage. It is a symbol of mature, and it is a symbol of strength and is also an embodiment of confidence. Therefore, three embodiments are required. The first reflects the basic, national, and artistic creation. The second embodiment is reflected in principle, the times. The third reflects systemic, professionalism. So I think this should be a guide to artistic creation.

This event is very in line with the situation in this event, and has a positive role in leading art creation. Through this event, more artists can learn from here to do their own creations. Wang Longfu once said a word, learning the ancients is not as good as learning nature, starting from the actual departure, take your own path.

Below I am divided into three aspects.

First, excellent in creative, art, and character. Master Wang Longfu takes art as the art, with art as expensive, despised money, does not consider money, he considers how professional is in the art, pursues the high quality and luxurious creation of art. I read himself in my own work, I am appreciated, I am looking for it from inside, how to promote craft art creation. Because I am a businessman, I want to expand exports, I have to do things well, I have to make money, and the goods are not good. So I develop a problem, pick someone's problems, regardless of the criticism on the spot, but I can't find a problem for Wang Longfu. I have seen a lot of works, and his personal workman is particularly obvious, and it is particularly solid. I have seen his "picchrydia" that old man. I have seen his "a unique mood", "iron tract Li" and so on. The form, the charm, the gas is very good, very perfect, it is difficult to find some shortcomings. His blue and white, glazed, these works, harmony, and aura.

From his work, according to my understanding of him, I reviewed what is the essence of Wang Longfu, I summed up such words. Because any art is motion, use the line to form an art as a whole. First exercise is pushed with gas, and the gas is invisible, your own gas moves and then creates. From the heart, it is a gas movement. Wang Lungfu's breath has his own unique personality, and it can be said to be the fundamental element of the artist's true artistic creation. Wang Longfu's work is a function of gas function. I came in today, I am particularly interested in the "" behind him. Now, I can't do it. Now I can't do it. I will not have someone else in the next 20 years. I don't work hard. His spiritual combination of fluid combination is very calm and very natural, so I said it is no ancient people, and there is no adequate person in front of it and cannot be fixed. Therefore, Wang Longfu's work is unmanned to imitate, only the road practice is to create a certain degree. Only serious learning Wang Longfu, including your brother, artistic life, the art life will be prosperous, and the art life will finally give you a good monument.

Wang Longfu works another very large feature. His painting each piece of work is not completely appropriate, especially character painting, unlike a head of thousands of people. You see this, the face is diverse, the temperament has a variety of temperament, the adjustability is very rich, and the different forms have different faces, which is a high degree of artists must pursue. His landscape, you see the bird painting, the foot paw is quite in place with the body support, very harmonious. Waiting for this detail, I don't talk about it, because everyone has to speak.

Second, love the country, earnestly created as a national collection. How do we buy in terms of art in terms of art? Our output is affected by the value of art, the old artists of the artwork never advocate multi-production, stealing and reduction, do more, must be done in the art level, you have to do more, how much can I do. How to sell it, I talked out later, you sounded strange, one year, the Guangzhou Fair, the next two orders, and the art porcelain factory did not finish the production of large collective enterprises. Can I come out? Can I get more? Multi-point, overtime. So what did you explain here? These artists do their best to create foreign exchange in the premise of ensuring high levels, this year increases by 10% to 25% this year, making great contributions, not talking, we focus on art. So I am very grateful to Wang Longfu at that time, speaking, I am particularly grateful, because Hong Kong is very good, Southeast Asia is particularly good. From this perspective, the art is not a market, as long as there is a good thing, there is something, this is what I talk.

By the way, the art, especially the art ceramics has entered the new normal, this everyone agrees to disagree, my individual summary has entered the new normal. I can say from three examples that contemporary ceramic special auctions, the turnover is 37.58 million. What is the most intense? Not the original master, I don't know. Who is it? Wang Wenlian, Zhang Xuewen, etc., is something of these people. Guaranteed tradition, inheriting tradition, promoting innovation under traditional premise, increasing new elements. Explain that art sales have been paid. The production of art will be 230 billion throughout this year, an increase of 5.58% over the same period last year, and the profit has increased by nearly 6%. Therefore, everyone is not complaining, don't blame your things, no one wants, don't complain that people who operate your goods don't give you efforts, you have to find a reason from your own work, how to keep up with the era creation good stuff. This is the second point I want to talk.

Third, China Ceramic Art Museum has entered the procedure. This also has a relationship with the Wang's family. From the mid-1950s, those artists gave Jingdezhen ceramics in Beijing to enter such ceramic ceremony, not now, not something made in the new century. In the early December last year, a leader said that you went to Jiujiang, a person collected ceramics nine-day swords, let's see, what happened. I came to Jiujiang on December 12 last year. I went to see if I didn't have a rest. I was very excited. I was very excited. Because these things were exhibits from the 1970s, they came back. How to use it? Establishing a museum, a large-scale analog, the relevant state departments have agreed to change the Chinese Century Forum to the Chinese Ceramic Art Museum, one of which is part of Jingdezhen's trash collection. So I said that the governing factory entered the new normal, the country was building a museum in the ceramic art, which is very gratifying for us. How to make art better through this exhibition, I am afraid this is the only future.

Due to time relationship, I have taken more time, thank you!

Zhang Shouzhi: The teacher Qin Xilin, the old president of Jingdezhen ceramics college, and you are very familiar with Wang Longfu, just speaking on the venue, I know that the opening ceremony is very tight, please speak. Applause welcomes!

Qin Xilin: The general manager of Liu Peijin said a lot. I have just speaking at the General Assembly, and Wang Longfu is a high-ranking artist. Jingdezhen is the most famous of Jingdezhen. Wang Longfu is the factory manager of Yuya Factory, and the family's inheritance Wang Longfu's husband Whether in art cultivation, artistic creation, and works provide a very demonstrated basis. Teacher Wang Longfu, because I was studying in Jingdezhen Ceramics College in 60 years, I still have a student. Teacher Wang This person is very easy to close. At that time, I was still a child, college students, I am very smooth with him. I often contact him and communicate after I work. His characters painted with some old artists in Jingdezhen, and the characters he painted had aura. It is not the original master to draw the apprenticeship, which is this, combined with the feeling of the soul, very in place. I have a bottle of Guanyin. I went to Mr. Wang. I am so happy that Wang Teacher is so happy. I will draw a thing, Guanyin "protect you" thing, painting is very good, now look Painted very levels up. Because I have seen the characters of Jingde's paintings, there are too many people who speak the people of Liu Peijin, the things that people who speak thousands of people feel that thousands of people have a feeling, Wang Teacher is not, the image is planned, the pen, the color of the color, the whole The effect is very in place. Have a high level of friends to my home, and I have seen the work of Wang Teacher. There are too many people in Jingdezhen painted, but it is still very little person like Wang Longfu, there is still a small person. Wang Longfu has always kept his original style. He has contributed very much in Jingdezhen's pastel. He painted the flower and bird painted very well. Including Mr. Zhang, the one of the bridges, very different. Taking his artistic cultivation very aura. The general people have a aura, but there is so uncomfortable.

His children have been in contact with Wang Shu Ding, and her sister has a little more. Wang Shuzhen inherited the tradition, inherited his father's artistic style, but also took his way. In this way, the children of our Jingdezhen named the family didn't care about the style of my father. It seems that I can't change it. You should have your own concept. There are your own job effect. Several people do very good, it looks different from the paintings of Jingdezhen, only such Jingde Town will progress. If it is always a style, Jingdezhen has no way to develop. I joked with them yesterday. I said that you are the future of Jingdezhen. We are old. It is 75 years old. Basically, I have completed my historical mission. Jingdezhen relies on you, I hope that you will be on the existing basis. Draw, innovation, innovation is not light to focus on style, screen, composition, color this to innovate, this is very important, but don't forget the process, because ceramic art is a heavy, it is with the process, with materials, follow-up art The means of processing is a whole. University principal's mouth likes to think about it. I especially remind the model. I am always joking, and the good wear is impossible to have a good effect on the hunchback. So I hope that through this exhibition, not only his children should make new contributions on the good tradition of the father. Wang teacher's experience, Wang Teacher art style, and hope that Jingdezhen young artists will learn to Wang Teacher Wang. , Make a good contribution to the development of Jingdezhen. Thank you!

Zhang Shouzhi: I remember that we went to Jingdezhen to restore art ceramics, 53 years of engaging in the State Council of the Council, Western Note, 54 years in Tiantang Restoration of Jingdezhen Art Ceramics, Wang Dafan is probably the biggest paste, when the small Everyone who is talking to his daughter. Teacher Wang Longfu is two years older than me. I remember that they introduced Wang Longfu teacher is a brother, the brother is Wang Xuliang, so the paste is so inherited. I just listened to Qin Xilin speaking, I remembered, when the sculpture is ancient, Pangu is coming out of the temple after liberation, I have to eat, and I have given him a studio. This time I saw the exhibition very kind, I saw Wang Longfu's work very kind, and many teenagers. So I think we are very meaningful in this exhibition today.

Here, the teacher of Jingdezhen Qiu speaks.

Qiu Yong: Thank you, the royal body, special invitation to participate in this seminar, I am 14 years old, in fact, for the painting of Wang Lao, the work is good, we really admire, when you feel the king Teacher is indeed a good person. why? I feel that he has the original ceramic in Jingdezhen to be a traditional concept. We know that Mr. Wang, his calligraphy, Chinese painting, including the creation of things indeed different from the general old artists. Since we enter the factory for more than 40 years, in my mind, I should say that I am very particularly particularly impressed by Teacher Wang. Yesterday evening, we saw the work of Wang Teacher at 11 o'clock, and something did not have seen. He has a good work, including "Dharma", we have never seen such a good thing, especially those who have pastel can't feel, according to the traditional craftscent paste, it is a bit inferior, including Wang Teacher, I At his point of origin, his innovative art, including the elegance of paste, including the composition of the style, including his calligraphic integrity, with a pen, may be the best to be Wang Lao's skill Literary cultivation includes the art paintings, which is indeed, indeed 40 years of memory. Today is really touched, especially when I see Mr. Wang's work. Because we come from art, many teachers are traditional concepts, especially Wang Teacher, his age is not small, he can have new things. Iron painted a large porcelain board, painted "eight fairy brother", we feel that he is a powerful momentum, including the composition of the composition, it is really not as good as him, there are too many places we want to learn. . It is hoped that Wang Teacher Wang, who said in the heart, there is a hoped teacher.

I will talk about it, thank you!

Zhang Sang: Thank you.

Here, the teacher Chen Lie Han teacher Chen Liehan in China.

Chen Lie Han: Hello everyone!

I am first to be grateful, because the China Ceramics Pavilion gives me this opportunity, let me see my teachers and seniors, there are peers, and the masters who have given me before, I first Thank you, this is the first point.

The second point I was very fortunate to cooperate with Wang Longfu in 11 years. I respect him very respect, I am very respect for him because he is very good. As he said like his son, he is very simple, he is sitting in the bus to take a few brush to the studio. He directly patterned the temple, he painted a little, I took his painted, I learned a lot.

I saw the exhibition today I want to talk about my feelings. First of all, I am honored to participate in today's seminars with all the guests. I saw this exhibition. I have a few senses, this exhibition integrates the 30 pieces of work created by Wang Longfu and his children's creation. It is a king. The concentrated display of Mr. Longdu. His blue and white, pastel works have new faces, elegant, and it is really difficult. Teacher Wang in 2011 Painted Qinghua Shou Tao made me feel deep, I also learned a lot. Mr. Wang's blue-white works pays attention to charm. At first I felt that Mr. Wang was very open, but he made a lot of evil things through meticulousness. He painted a lot of pain, a layer of painting, I saw him painting very seriously, and the life of the life is blusted.

In addition, it is said that the spirit of his creation, Wang Teacher Qinghua is very concerned that he is very paying attention to the pen method, artistic expression techniques and changes. It is also possible to see his work today, and there are many changes in the pen method, and there are many ways to express the performance. From his work, look at his effect, the effect of the idea, the work seems to be very casual, point until, form a unique madness, pay attention to God, thick expression style. He painted the mountain stone painted very light, the front of the tree used some heavy colors, some of the lake, independent or similar bird painting very delicate, blue and white painted very chic, outline these pine branches, life peach and bird, The effect of large-write techniques and the effect of this painting form is very good together, especially some birds, some flowers are painted with a detachment, very fascinating, the most pursuit of roughly, hearty emotional performance, and Pursuing painting, pursuing floating feeling, the work is seen that it is not a feeling. Teacher Wang has established a banner for the development of Jingdezhen ceramic art. Mr. Wang's work attaches great importance to the combination of materials and emotions. His work is not a simple copy of the realistic image, but the influence of the emotions in real life, this is both a highlight of the natural shaped shape. Breakthrough to a limited natural shape . I saw his work, I feel very deep, it is an example of learning in the future.

I will speak here, thank you!

Zhang Shouzhi: The Chinese Ceramics Association, Wang Jianzhong, is invited to speaking.

Wang Jianzhong: This exhibition work has not been seen yet, I am so embarrassed, I will see it later, but I have seen the things of Wang Lao's exhibition. I think that Just, for example, Mr. Liu is very familiar with Wang Lao, in Jingdezhen life, the teachers who work, I want to say something, I want to say something.

I think the old husband is the most important thing in this. It is also to convey a spirit of Chinese traditional craft culture. I just listened to Mr. Chen, and Liu Peijin said that Wang Teacher's ceramic painting is a relatively general purpose with Jingdezhen. Most of them are very different, more is to have a lot of innovation in techniques or in the method of expression, I think more is his understanding of art, this concept is innovation, because I just listened Several words, Mr. Zhang and Qin Xilin's password, I think the ceramics of Jingdezhen may also have in other ways. I think Mr. Wang should be the development of traditional skills and traditional crafts. I want to paint Chinese ceramic crafts, Chinese ceramics, including other Chinese craft art other industries, I think we are now the most important should be concerned, how can I have the millennium cultural in these hundreds of years? To make a new development, new development, that is, the artwork of ceramics that meets our era, there is this era, is the most important thing we need to think about Mr. Wang today. It is also a problem that we should work hard in the future of the young ceramics artists in the youth. Today, if we will go to the old gentleman, there will always be a model that does not open the old, and we should pass this exhibition today. Through this exhibition, learn these old gentlemen on the traditional basis, develop, This is what I think that this exhibition today and this symposium should most think about and the most meaningful aspects. It is also an important aspect of our future efforts. Because I am teaching, I think we should think more about the innovation of craft art.

By the way, I am a graduate student in our sculpture. I have to go to Jingdezhen, I don't know which studio, painting high-temperature porcelain board, this year. At the beginning of the year, I came to the school to find me, let me show him, saying that I am very surprised, a sculpture, undergraduate, graduate students are sculpture, the difference is the difference, absolutely let you Light, it is very different from our tradition in Jingdezhen, the most different is different, and he may also draw two months, very accurately grasp the method of high temperature color glaze control, and it is very good. So I think that Jingdezhen has left a very important cultural heritage, many treasures, these years have a lot of high-temperature color glaze, and there is also a lot of development in the development of medium and low temperature glaze, which provides us with unlimited The space of art creation. So I think we should eat the essence of Jingjing Town ceramics, and then put these essence in our artistic creation, this is our most important task. Just like the graduate student who is sculpture, I think about why he can be so casual, then the performance is good, the most important thing he has no baggage, he doesn't have so many boxes, so this is a little bit of his creation. I think this can be used as a reference, and so many artists have more explore and explore in future creations. I believe that in Mr. Wang Lao, I will create a very wide artistic creative path to our best techniques, more importantly, their quality, then create our good ceramic works.

Thank you.

Zhang Shouzhi: Wang Jianzhong is also a professor of our hospital. We also have two professors, Professor Wang Yaoling, a ceramic art design department of Tsinghua University, has just been studied from Jingde Town, please speak.

Wang Yaoling: Everyone is good!

In fact, it is quite embarrassing. The first time I came to the National Museum, I really feel deep, and I am very popular. Especially this exhibition, in May, attended the exhibition in Jingdezhen, I was fortunate to meet Wang Shu Ding. I know the master, but she gives me the impression is that she is written on the porcelain board. This is impressed with me very deep. Just now, Fu Sister also said, I feel that she is dedicated. Then, she said that she was in Beijing, who is the main thing is the exhibition of their family. I said that she must be invited, I will come. But I really didn't think of it, including Wang Anwei, I touched me when he was a little bit of life, and I think this old gentleman, his character, work is the same spirit. This sense of responsibility, let us really feel very educated. I feel that this exhibition is this exhibition is not only a family's exhibition. I think it should be a role model that should be said to be a model of our ceramic world. I think it is also a spiritual encouragement. I feel that the master's responsibility, the master gives a responsibility of the inheritance, and the masters of the master also conduct this legacy of the master, and can continue to do so, it should be new to China's ceramics garden brings new brilliant.

Just now, Teacher Liu also has Qin teacher, as well as Wang Jianzhong, including Mr. Zhang, is actually what I want to say, and they said very good, in short, I am really educated, I also I hope that more peers can be inspired and encouraged by watching this family's exhibition, and they can be inspired and encouraged, and they can spur themselves better in this industry.

Okay, thank you.

Zhang Shouzhi: Thank you.

Let's ask Professor Qiu Wei, a Tsinghua University of Art.

Qiu Wei: I have a ceramic sculpture in the school, and the painted china has not been done. When I come here, I have to learn, I didn't want to send anything at will. But Teacher Zhang let me say two words, I said two words.

I have always thought that the porcelain painted as a ceramic performance form, "Zhu Mountain Eight Friends" began, many artists have been involved in and improved, this form I think it will reach the limits on the ceramic painting, reaching extremely perfect. On this basis, you have to have a big breakthrough is a very laborious thing, I don't pay attention to ceramics painting. After reading the work of Mr. Wang Lung, although it is also ceramic painting, there is also a high score, and there is also a big difference. On the work, Mr. Wang as an old generation of artists. He has a special family inheritance, and a very deep artistic cultivation, including a very thick painting and calligraphy, which form his work and other Jingdezhen. So many painted paintings and the difference between Jingdezhen drifting painted painting.

There are several small porcelain boards, which can be used with red bamboo and plum, which may do ceramics. The glaze is red in the color of the color, and it is not like blue and white, what you draw is burning When you melt melt, you can't control some changes in accidents. I saw the bamboo with plum blossom, three pieces, I found that the same is monochrome, monochrome glaze, but the glaze is naturally melted in the process of burning. It justifies a characteristic of ceramic materials. I think how to play, that is, the old gentleman can also see that he can be very good, and you can see this control of the material.

Again, I feel that Wang Jianzhong said, this, I am very agreed to say Wang Teacher, and the key to the seminar today may be that everyone is going to say, because of this innovative spirit, because he has such a Mr. of the family inheritance, in his creation, there are many things in his creation, and it is different from others. This innovative spirit may just be the artist of our Wang's family or Jingdezhen to do porcelain artists need to pay attention. Need to pay attention. Because now there are too many Jingdezhen paint porcelain seems to be placed on the porcelain board, and there is such an impression that the road is getting narrower, it looks more and more. So I don't think Jingdezhen colorful porcelain art has a new change, just like the Mr. Wang said that the modern aesthetic, aesthetic, this may be our Wang's family or we do ceramics. Artists may need special attention to special attention.

I just said this, thank you!

Zhang Schisizhi: Ms. Du Huiling, president of Beijing Zhengtai Power Society. Ms. Du Huiling, I introduced, and the ceramics that promoted Jingdezhen from her father's work. Teacher Du Huiling and Wang Longfu are also very familiar. So please speak Du Huiling.

Du Huiling: It is also very honored to be invited to participate in this today. Professor Zhang, said Professor Zhang also said that this exhibition is the largest exhibition in the China Art Museum, which is invited to participate in this event, which is also a chance to learn. .

Zhengtai Porcelain agency's collection of contemporary art porcelain has been 32 years old, which can be said that there are some experiences in contemporary ceramics in Jingdezhen. Since I have been walking in Jingde Town with Beijing for so many years, I am more familiar with some of the real artists of some festival. The most familiar should be the art porcelain factory and Wang Longfu teacher. With Wang Lao is also forgotten, before Wang Lao in Art Porcelain Factory is a research institute, I am a deputy director, because there is this relationship, Wang Lao has always seen me as a late generation, every time I come to Beijing. It is very supportive to me, very concerned, every time it is a very relaxed environment, always come to see me, so I am also very grateful.

For Teacher Wang's art, there are so many artists, as well as dean and teachers. The old gentleman is definitely the German and Double, this everyone has a consensus, the creation of the old husband is mainly from his rigorous art, his characters have been evident for art works and life experiences and aspects of art accumulation, and The traditional porcelain is deeply understood, and later the old gentleman has transferred to some freehand, this can indicate that his art level is strong, and it is reflected in his work. Mr. Wang Lao sent himself to his family, and it is not difficult to see in the work of Wang Anwei and Wang Shu Ting. This work is very shocking, Shu Mings, Shu, and Wang Anwei have their own unique style in addition to the Wang Lao style. I believe that the ceramic art market will pay more attention to the work of the Wang's family in the future.

Through this exhibition, I also had a more deep understanding of Mr. Wang's work and the work of the Wang's family. I will definitely enter some efforts in pushing and communicating, better to learn, better, and more deeply. Understanding artwork, this block is promoted to the market, although there are some problems, it can be said that the whole environment is not so very good, but I believe that contemporary artsum porcelain must have its brilliant, and I also believe that our Chinese contemporary ceramic art is especially It is Jingdezhen art, and it is also like a Chinese to buy those big brand luxury goods. Contemporary art ceramics should be Chinese luxury goods, and should be a global luxury. To speaking, there is no collection of a large Tibetan home, and the official kiln is the main target contemporary art ceramics of these big Tibetans. It reflects the artistic character of this era and the aesthetics of people. I believe that our contemporary ceramics will go to the international market, become a collection of not only Chinese or even global collectors.

I said so much, thank you!

Zhang Shouzhi: Due to the time relationship, there may be many guests to speak, and the last time left the family of Wang Longfu. Ask Comrade Wang Anwei to do the final statement.

Wang Anwei: Good everyone

Wang Shuzhen: I have not prepared, I originally let my younger brother, represents the home, because my brother is a professor, and the writing is also very good. He explained everything. I said, I said, I said a few words.

Because this exhibition is actually in my father's health, the China Ceramic Hall is in contact with our home to do a family exhibition. At that time, I said with my father, my father is quite happy, that time has been moved, but the physical condition is still very good. After the father gave birth to so long, we decided to come here to do this family exhibition. This ceramics shipped from Jingdezhen to Beijing to come to Beijing. It is not a simple thing. It is fragile. No matter how hard it is still, we do this work well.

I am very grateful to these curators, staff, and staff, and professors who support this event. They also thank the teachers, and the teachers, and the leaders took time from the busy schedule to participate in this exhibition. Thank you very much.

Speaking of my father, because I am the first child who follows my father's class, I am very small, I started to follow my father in 6 years old. At the time, my father taught me to start, dyed. My father was founded by the Ceramics Staff University of Jingdezhen, I also got a little systematic theory. My father is very strict, I am a daughter, but he regards me as a man. Because of our era, at that time, it was really sincere, all the kind of teaching. It is also a very good atmosphere that the kind of learning atmosphere at that time. At that time, the first batch of students in our school, everyone was brought to the quilt to learn on the table, draw painting on the table during the day.

I said, my father, I admire my father, because when we are very small, the family environment is very poor, that is the kind of economic conditions, because I have grandparents, my four sisters, my mother's salary is very low, The whole family rely on my father a person's payday. I wrote, painted, read the book, still engraved in the evening in the 15th tile light, and came over, this is my earliest impression. And my father's father, he is a Ci, my father is actually a reputation of my father in the entire neighbor, everyone said that he is a big filial son, so I admire my father. My father went to now, I think his accumulation is that his kind of literature is engraved with painting. His accumulation is not a single line, the straight line of precipitation, I think he is portrait, very rich The accumulation of culture, so such a work can be made.

Because I want to say such a relationship.

Zhang Shouzhi: Due to the time relationship, many people may read this family exhibition. This is a different exhibition. It is a special exhibition. Teacher Wang Longfu is my brother, but this life has been in do decades to have a lot of feelings for such an exhibition. I think that the contemporary inheritance of Jingdezhen today, innovation and development is inseparable from Wang Longfu teacher to the first generation of Jingdezhen, the first generation of Jingdezhen, and everyone sees the art, he is the earliest, the new Chinese state-owned enterprise era, the state-owned enterprise age is reform to the city Institute, later running school, today Jingdezhen's contemporary celebrities benefited from Wang Longfu's words and teachings, people, and Morality is true.

Three weeks we saw the big daughter and her other friend, pulling the suitcase, packaged the porcelain board, painting peony in Jingshan Park. I said, why don't you go to Luoyang painting peony? Don't go to Heze painted peony? She said that the peony in Jingshan is the royal family, so I found the best Chinese peony, not this year, year. On the one hand, there are conditions, the second to Jingshan painted peony, listened to her, said that the car was caught in the future, traffic jams, send her car must be delayed, and the last two people took the bus and took the subway to pull the framing, already Painted Peony, the next day, I rushed to Jingde Town to burn out, this spirit. That Times Wang Longfu did not have this condition during the founding of New China. With this condition, there is such a passing so hard to integrate your art into life, do you do this? I believe that many painters in Jingshan Park are sketching, including tourism audiences see that they take porcelain board to take the billet in painting peony, this spirit is inheriting, and the Yu kiln is inherited. Seeing such a certain love life, including Chinese literature in this regard.

Such a symposium is too short, so there are nine days. It turns out that we can arrange for seven days. We can only catch up with a weekend, so we have changed now, there is no such exhibition in the next month, one month or two Three exhibitions were run for a month, and the time for nine days and two weekends gave Beijing citizens to the ceramics of Jingdezhen.

I don't have much to say, the seminar ends here.

(the end)